If you build it, they may or may not come.

This fantastic article has got me thinking about the Jazz District, (which is something I rarely do). I’ve always had mixed emotions about 18th and Vine. In theory I think it’s a great idea. Kansas City has a fascinating history that I believe deserves to be acknowledged. On the other hand, as a jazz student at UMKC, it seemed like another sacred cow that I was supposed to revere which turned me off to it.  In fact, I rarely seem to make it down there more than twice a year. But, I will freely admit that the Blue Room is the best club in town and I have seen some of my favorite shows there.

So the hope is that enough clubs and restaurants will open up in the Jazz District to make it a tourist destination. Perhaps that will work and I hope it does. Maybe someone should look into putting something down there that appeals to women. Far be it from me to claim to know what women want, but jazz and baseball certainly aren’t cutting it.

I feel that the best way to preserve jazz in Kansas City is through the support of the musicians themselves, not a section of buildings. Making Kansas City a place that produces great musicians and retains those musicians is much more important. Obviously, Black House believes this is done by supporting the production of new music and developing the talents of players.

 

Comments

[Peter Lawless]

I've said it before on this blog, but I'll go ahead and repeat it: the Jazz District is like the Disney version of jazz history.

I think that article is pretty good, and I (surprisingly) agree with pretty much everything David Basse says in it. Definitely needs more of a nightlife scene.

[Ashley]

Yep. Like I said today - turn some of those empty office buildings into low-cost artist housing. Encourage people to live IN the scene.